ORIN: Rinyo Workshop - Kyoto

The material of the orin, Sahari, is a “high-tin bronze” made from copper and tin. It is a delicate metal whose character can differ from one workshop to another. They stay true to the traditional two-metal alloy, pursuing a clear and resonant sound. Their process begins with the selection of soil. From this they create the molds, into which the molten metal is carefully poured. Even small changes in temperature or humidity can affect the tone, so every decision must be made with precision. Each casting is then heat-treated and gently shaped on the lathe. At every step, the sound is tested and refined again and again. Finally, every piece is inspected with great care. Only those with a tone worthy of the workshop are delivered as sahari orin, to be shared with you.

RYUKYU ORIN STAND: Seiichiro Inamine - Okinawa

Ryukyu glass was born in postwar Okinawa, a time where discarded bottles from the U.S. military were melted down and reused. Irregular thickness and air bubbles—initially seen as imperfections—soon became hallmarks of its unique charm, attracting both tourists and American soldiers. Today, it is crafted through the blending of recycled glass and new materials; and is still treasured for its unique ‘Okinawan’ colors and the warmth of handmade artistry. Chūbuki, or free-blowing, is a technique in which the glassmaker shapes molten glass that is attached to the end of a blowpipe without the use of a mold. Through precise control of temperature, breath, and movement, artisans shape fluid, one-of-a-kind forms that cannot be found anywhere else. This method has flourished in Okinawa and has been passed down for nearly a century.